Mt. St. Helens Vietnam Band Announce Details of New Album

DOC041.lpjacketDead Oceans is proud to announce the forthcoming release of Mt. St. Helens Vietnam Band’s sophomore album Where The Messengers Meet on August 3. While it has only been 18 months since Mt. St. Helens Vietnam Band’s self-titled debut, they have traveled what feels like thousands of miles.

Where The Messengers Meet is in real time, an expansion of the sound of the band’s eponymous debut. They take the same frantic and skewed elements and stretch them out, giving them room to breathe and blossom. Thematically, Where The Messengers Meet is an exercise in contrasts: the delicate and gentle, the dark and furious. Mt. St. Helens Vietnam Band collects powerful compositions into one cohesive whole held together with lush production and a haunting atmosphere. They are imperceptibly inching away from an angular style influenced by Modest Mouse and Wolf Parade, instead incorporating an epic sound recalling both the modern masters such as Arcade Fire, and classic pioneers, like Pink Floyd.

Listen HERE to our first offering from Where The Messengers Meet “Leaving Trails,” which SPIN Magazine says “showcases Benjamin Verdoes’ distorted yet atmospheric vocals and commanding yet subtle guitar work, which switches from ominous to uplifting. Fleshed out by Jared Price (bass), the song’s sound is simultaneously chaotic and soothing.”

Still true on Where The Messengers Meet are classic rock-informed guitar leads and thundering anthems, but the band carefully melds those elements with subtle organ sounds, layered strings and a measure of restraint. The songs feel related to one another lyrically, musically, thematically–it feels like a true album, something that holds together from start to finish.

The recording of Where The Messengers Meet was a patient process, conducted over eight months, in part during Seattle’s darkest and rainiest time of year. The slow process of recording in an old loft near the harbor led to this careful approach. This band has taken their past, and transformed it. The hooks are still prevalent, the catchy sing-along moments not forgotten, but with the help of engineer / co-producer Jonathan Warman, they arrived at something much grander.

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Me Liquor and God by Night Beds
Corner by Night Beds
Dream Lover by Destroyer
Sagres by The Tallest Man on Earth
Dark Bird Is Home by The Tallest Man on Earth
War Machine by Bill Fay
A Page Incomplete by Bill Fay
Primrose Green by Ryley Walker
Sweet Satisfaction by Ryley Walker
Straight by A Place To Bury Strangers
We've Come So Far by A Place To Bury Strangers
Los Angeles (Live) by Phosphorescent
Nothing Was Stolen (Love Me Foolishly) (Live) by Phosphorescent

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Love High by A Place To Bury Strangers

Girl in a Sling by Destroyer

Tide Teeth by Night Beds

Sweet Satisfaction by Ryley Walker

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